在美国银幕上,西藏存活在“超然的魔幻想象”与“歪曲的历史误读”构建的巨大张力中。美国涉藏影片通过捕捉特定的涉藏元素和套用固定的叙事模式,构建了一个虚拟的类型化西藏形象。这种形象并非西藏真实的自然存在,而是一套被人为建构出来的话语表意体系。此种建构并非为了西藏的利益,而是为了美国自身的利好。 On the screen of the United States, Tibet survives the tremendous tension in the construction of “detached magical imagination” and “misrepresentation of historical misunderstanding.” The American films in Tibet have constructed a virtual, typified image of Tibet by capturing specific elements of Tibetans and applying fixed narrative patterns. This image is not a true natural existence in Tibet. It is a system of discourse ideologically constructed by man. Such construction is not for the benefit of Tibet but for the good of the United States itself.