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比兴的艺术手法源自中国最早的经典《诗经》,众多的诗论者对比兴这一艺术手法作出了不同的批评,表达了各自的主张和观点,本文重点阐述刘勰和汉儒比兴观的异同,并从概念认识、运用、变化等三个方面进行论述,从而在此基础上探索其原因,以进一步明确比兴艺术手法在中国文学发展中的继承和创新。
Beixing’s artistic techniques originated from the earliest classic “The Book of Songs” in China. Many poetologists made different criticisms against this artistic technique and expressed their own opinions and points of view. This article focuses on the comparison between Liu Xie and Confucianism and Confucianism And discusses the similarities and differences from the three aspects of conceptual understanding, application and change, so as to explore its reasons and further clarify the inheritance and innovation of the art of Bi Xing in the development of Chinese literature.