“学海无涯苦作舟”。青年演员在艺术上稍有长进,随即便想名利双收的坦途是没有的。“一分耕耘、一分收获”,古有名训。对此有见于粤剧行中真是不乏事例。粤剧前辈新马师曾、芳艳芬可算深谙个中五味者。三十年代,以神童成名的新马师曾,在其青年时代,正值粤剧行中薛、马、桂、白的鼎盛时期。“新马”要名登榜首不容易。难得“金牌小武”桂名扬的赏识,以日薪200港元的厚酬聘他为正印小生。而“新马”一向醉心于薛派艺术的造诣,甘愿以日薪170港元投身 “Learn from the sea bitter boat.” The young performers grew slightly in art, and immediately there was no easy road to fame and fortune. “One minute hard work, one minute harvest”, ancient famous training. There are quite a few examples of this in Cantonese opera. Cantonese opera jurists have a new senior, Fang Yan Fen can be regarded as one of the five flavors. In the 1930s, the prodigious new marshals who used their prodigy became their heyday in the Cantonese opera line of Xue, Ma, Gui and Bai. The “new horse” name to board the first list is not easy. Rare “gold Wu Xia” famous reputation, with a daily salary of 200 Hong Kong dollars hired him as a printed Indiana. The “new horse” has always been obsessed with Xue Xue art attainments, willing to join the daily wage of 170 Hong Kong dollars