明清经典小说《警世通言》和《聊斋志异》,虽存在时代和语言运用的差异,但在异中却共同地潜藏着相似的线索,那便是女性生存的矛盾形态。本文以两部著作中的经典女性形象王娇鸾和狐妇为代表,旨在从其生活,心理和行为等三方面对这一时代女性所展现的共同矛盾进行管窥。 The classic novels of “Jingshitongyan” and “Strange Tales from a Lonely Studio” in the Ming and Qing Dynasties, although there are differences in the times and in the use of language, commonly hide similar clues in different places, which is the contradictory form of women’s existence. This article takes the classic female images Wang Jiao 鸾 and fox women in the two works as representatives, aiming to give a glimpse of the common contradictions of women in this era from three aspects of their life, psychology and behavior.