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思想知觉化，即抽象的思想、情感和具体的知觉、感觉的紧密结合，是英国玄 学派诗歌和２０世纪象征诗中常用的手法。李商隐的某些“无题诗”（特指李商 隐集中那些构思细密、寄托遥深的七言律诗）也具有这一特点。这是中国古代 文学史上一种极为罕见的现象。这种特异的美学追求使得李商隐诗在２０世纪闪 烁着一种惊人的现代美感，也促使我们重新确立李商隐在文学史上的地位。
The perceptualization of ideas, that is, the combination of abstract thoughts, emotions and specific perceptions and feelings, is a common practice in English metaphysical poems and 20th century symbolic poems. Some of Li Shangyin’s “Untitled Poems” (especially Li Shangyin’s concentrated seven-character poems that are conceived in details and placed too far in the future) also have this feature. This is an extremely rare phenomenon in the history of ancient Chinese literature. This special aesthetic pursuit makes Li Shangyin’s poem sparkle an astonishing modern beauty in the 20th century, and urge us to re-establish Li Shangyin’s position in the history of literature.