书法的批评,在它刚产生不久,即有被点评取代的趋向。从八六年开始在《书法报》上的努力,那种渐露思潮性批评端倪的细流,是怎样的在尚未涨潮即已枯竭,这只要看看八九伊始,书坛满怀信心,喊出了一个‘批评年’,以鼓动批评家的激情,而结果反而是批评的‘沉闷年’,给八六年将形成的冲动以重重的一击。现在我们应该看到,批评已经要针对批 Calligraphy criticism, just after it was born, has been replaced by the tendency of reviews. Since 1986, when we began our efforts in the “Calligraphy Press”, what kind of trickle of gradual criticism has gradually disappeared? Just look at the beginning of 1989, with confidence and shouting A “Year of Criticism” came out to encourage the passion of critics. The result was instead a “boring year” of criticism and a heavy blow to the urge to be formed in 1986. Now we should see that criticism has to be targeted