拉场戏《墙里墙外》演出后,得到专家和观众的好多鼓励,这在很大程度上应归功于导演,演员及其他从事二度创作的同志们。在文学剧本上,我主要是在这几点上作了一点尝试,即:新颖,情趣,奇巧。新颖,我敢说,的确是创作中的一个老大难问题。凡是干我们这一行的人,没有一个不想在自己的作品里求“新”的。因为这关系到作品的前途命运,谁能不铆足力气,拿出看家本事,为“新”而战呢。 Drawing on the “wall-to-wall” performance of the scene, it received much encouragement from experts and audiences, which owes much to the directors, actors and other comrades who worked for the second time. In the literary script, I mainly made a few attempts on these points, namely: novelty, fun, Kit Kat. Novel, I dare say, is indeed a chronic problem in the creation. No one who does our job wants no “new” in his work. Because it is related to the fate of the future of the work, who can not rive enough strength, come up with the housekeeping ability to fight for the “new” yet.