论文部分内容阅读
徐悲鸿曾经说过:“古法之佳者守之,垂绝者继之,不佳者改之,未足者增之,西方画之可采者融之。”其中的“法”也就是我们所说的形式语言。当然,他这句话的本意是指中西绘画的融合,但是也正好说明了形式语言对绘画的重要性。油画的形式,也就是油画的形式语言。主题与形式是作为矛盾统一体而存在的,主题决定形式,形式又能反作用与主题。不同的主题决定了不同的表现形式,而不同的表现形式又可以表达不同的主题。
Xu Beihong once said: “The ancient law of the good keep those who stand in desperation, those who are poor change, the lack of those who increase, the Western art of mining can be taken together.” “The” law " That is what we call the formal language. Of course, his original intention was to refer to the fusion of Chinese and Western paintings, but it also illustrates the importance of formal language in painting. The form of oil painting, that is, the formal language of oil painting. Subjects and forms exist as unity of contradictions, which determine the form, the form can be counterproductive and thematic. Different themes determine different manifestations, and different expressions can express different themes.