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自八十年代中期戏曲学术界掀起了傩戏的研究热潮后,一直持续到现在,逐浪相高。其表现为:一是将历史学、哲学、社会学、宗教学、人类学、民族学等学界的学者们也裹卷了进来。迄今为止,据不完全统计,出版的从各个角度研究傩文化的著作达200本之多,发表的论文有2000多篇,研究生以傩文化为研究课题所撰写的申请博士、硕士学位的论文达到50多篇。二是吸引了许多国家的学者研
Since the mid-1980s, the opera academia set off a wave of research on Nuo drama and continued to the present day. The performance is as follows: First, the historians, philosophy, sociology, religion, anthropology, ethnology and other scholars also wrapped up. So far, according to incomplete statistics, there are published as many as 200 books on culture from all angles, published more than 2,000 papers, doctoral applications for doctoral and master’s degrees graduate students to write culture research topics to achieve More than 50 articles. Second, it has attracted scholars from many countries