汉代画像石中羽人图象经常出现,研究者普遍认为这是汉代人好神仙,追求成仙而长生不老的象征,但如果追溯羽人的发展源头,就有学者认为是受古希腊、罗马文化的外来影响。但是我们对上古东夷部落鸟图腾的崇拜,以及对羽人的发展演变历程进行考察,就会发现羽人图象是最地道的中国原始文化演变的产物。 Researchers generally think this is a symbol of immortality and immortality in the Han Dynasty, but if we trace the source of the development of the plume, some scholars think that it is influenced by the ancient Greek and Roman cultures External influence. However, when we look at the worship of the ancient Dongyi tribal bird totem and the development and evolution of the feather man, we can see that the image of the feather man is the most authentic product of the evolution of the primitive culture in China.