本文侧重考察《黑瓦房》的叙事策略 ,分析了作者处理“故事”的三种形态 ,通过对其叙事预谋的追寻 ,认为同样是 60年代的作家 ,同样是追溯“童年记忆”的再现 ,但作者与其他 60年代作家提供的“童年记忆”最大的不同在于 :作者表现出对人类精神理想的极大热情 ,在 2 0世纪末重新思考古典主义对于人类灾难积极向上的牵引价值 ,在当下的多元价值组合中 ,有着不可忽视的认识意义 This article focuses on the narrative tactics of “Black Wafang”, analyzes the three forms that the author deals with “the story”, through the pursuit of his narrative premeditation, he thinks that he is also a writer in the 1960s and a retrospective “childhood memory” However, the author’s biggest difference from the “childhood memory” provided by other writers in the 1960s lies in the fact that the author showed great enthusiasm for the ideal of humanity and rethought the positive value of classicism in catastrophic human catastrophe by the end of the 20th century. In the present In the multi-value combination, we can not ignore the significance of cognition