远去的犀角雕

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“胡星岳”款犀角雕螭龙纹杯以整块犀角雕琢而成,色呈褐黄,光泽柔和、滋润,犀角纵纹清晰可辨,为亚洲犀之珍品。杯椭圆形,大撇口,下部内收,圈足。一边雕螭龙把手,扶于杯身,口沿内外侧饰回字纹,口沿下方趴伏一螭龙顾首回盼,杯腹部饰两周变体夔龙纹。该杯仿古造型,纹饰精美繁缛,利用了犀角本身的特征,巧妙雕琢把柄,端庄古朴,刀法细腻浑朴。杯底足深凹,足底中心处有阳文“胡星岳制”四字篆书印款。犀角雕刻艺术从明代开始迅速发展,主要集中在南方各地,比如苏州、扬州、南京、杭州、福州、广州。明初郑和七下西洋,将一些犀角从国外 “Hu Xingyue ” section of the rhinoceros horn carving dragon tattoo cup to the whole piece of rhinoceros horn carving cut, the color was brown, soft, moist, rhino horn longitudinal lines clearly legible, as the treasures of the Asian rhinoceros. Cup oval, big skimmer, lower adduction, full circle. Side of the carved dragon handle, help the cup body, mouth along the inside and outside decorated with glyphs, lying along the mouth of a lie Long Gu first back hope, cup belly decorated with two weeks of change 夔 dragons. The cup antique style, exquisitely decorated beautiful, using the characteristics of the rhinoceros horn itself, cleverly crafted handle, dignified and simple, knife method delicate simplicity. Bottom foot deep cup, foot center Yang Yang “Hu Xingyue system ” four character seal printing money. The rhinoceros horn carving art started to develop rapidly from the Ming Dynasty, mainly in the south, such as Suzhou, Yangzhou, Nanjing, Hangzhou, Fuzhou and Guangzhou. At the beginning of the Ming Dynasty and Zheng He seven, will be some rhinoceros horn from abroad
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