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接受美学主要从作家作品读者三个方面进行文学研究,尤其重视作品与读者的关系。认为作品只有被读者接受了,才完成创作过程,实现作品的社会价值。这样,把不同时代、不同地域、不同文化层次等读者的主观和客观因素考虑在内,指出并承认了对作品不同理解的可能性和必然性,在文学审美活动中的仁者见仁,智者见智现象就有了较为合理的解释。接受美学还力图从作品中的不确定因素来寻求对于作品的不同理解的原因,又为见仁见智现象找出了客观依据。下面就从古代解诗的迥然不同来谈谈接受美学的合理性。
The aesthetics of reception mainly studies the literature from three aspects of the writer’s works, especially the relationship between the works and the readers. Only when the works are accepted by the readers, will the creative process be completed and the social values of the works will be realized. In this way, the subjective and objective factors of readers in different ages, regions and cultural levels are taken into account, pointing out and acknowledging the possibility and inevitability of different comprehension of the work. In the literary aesthetic activities, Have a more reasonable explanation. Accepting aesthetics also seeks to find the reasons for the different comprehension of the works from the uncertain factors in the works, and finds an objective basis for the phenomenon of difference of opinion. Now talk about the rationality of accepting aesthetics from the very different ancient interpretation of poetry.