在传统艺术研究中,审美性因素与非审美性因素常常是相互对立的;审美性的提高意味着非审美性的降低。而新媒体艺术的审美带有强烈的“具身性”特征,可以包括一些非审美因素。具身性的非审美因素被囊括进审美场域之后,就具有了“亚审美性”的特征;可以加深审美的认知体验效果,强化审美过程中的快感信息,对美感的生成产生叠加性作用。亚审美性因素往往借助于智能化 In the study of traditional arts, aesthetic and non-aesthetic factors are often contradictory to each other; the improvement of aesthetic means the reduction of non-aesthetic. The aesthetic of new media art with a strong “identity ” features, can include some non-aesthetic factors. The characteristic non-aesthetic factors are included in the aesthetic field, it has the characteristics of “sub-aesthetic ”; can deepen the cognitive effect of aesthetic experience, enhance the pleasure of aesthetic process information, the generation of aesthetic feeling Additive effect. Sub-aesthetic factors often rely on intelligence