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本溪画家冯大中善画虎,他笔下的虎君富有高贵的品格:它威而不狎、傲而不狂、尊而不媚、智而不恃,既不畏强暴又不欺弱小;它有血有肉、笃情博爱、怀仁守德,是山林旷野中真善美之君王形象。在大中的虎画中伴以山水林木,虎以山水而出奇,山水以虎而生丽,和谐生动、奇丽出新。大中不仅以虎画名世,还以泼墨泼彩山水画饮誉画坛。中国山水画在唐以前是作为人物画的背景而出现在画面上的,地位仅是陪衬,隋唐始真正独立成科。因画家所处自然环境的不同,五代始分北方和南方两大流派:北方派以荆浩、关仝为代表,取景造势以太行山系为源,所作山水多高旷、深沉、峻厚,颇具雄强伟美的形象
Benxi painter Feng Dazhong good painting tiger, tiger king in his pen is rich in noble character: it prestige, arrogance and not mad, respect and not pro, wisdom and not rely on, not afraid of violence and not bully small; it has flesh and blood, Benedict love, Huaren be Shoude, is the king of mountains and forests in the real good and evil image. In the medium and large tiger paintings accompanied by landscape trees, tigers and landscapes surprisingly, landscape tiger and Li, harmonious and lively, wonderful new. Dazhong not only to the tiger painting worldly, but also to pour ink color painting landscape painting reputation. Before the Tang Dynasty, Chinese landscape painting appeared on the screen as the background of portrait painting. Its position was only a foil to the background of the Sui and Tang Dynasties. Due to the different natural environments in which the painters lived, the Five Dynasties began to distinguish between the two schools of the North and the South: the North was represented by Jing Hao and Guan Tong, the Taihang Mountains was the source of scenery and the landscapes were tall, deep, thick and quite Strong and beautiful image