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莎士比亚戏剧经典批评俨然是20世纪众多理论流派的“展示舞台”。作为莎士比亚的悲剧经典《麦克白》也不断被再诠释和重新理解,并激发出新的哲学意义和思想论争。20世纪中后期的《麦克白》批评研究围绕“大屠杀”、“政治”和“性别”三大主题,简要呈现经典意义重构和再诠释的多重路径,并阐明当代的哲学批评、政治批评、性别批评对当代世界和人类命运的人文关切和现实批判。
Shakespeare classics classic criticism seems to be the twentieth Century many theoretical schools “show stage ”. As the tragedy classic “Macbeth” of Shakespeare, it is constantly being reinterpreted and re-understood, and inspired new philosophical significance and ideological debate. The research on the “Macbeth” criticism in the middle and later twenties of the 20th century focuses on three major themes of “The Holocaust”, “Politics” and “Gender” and briefly presents the multiple paths of the reconstruction and reinterpretation of the classical meaning. Philosophical criticism, political criticism, and gender criticism about the humanistic concerns and realistic criticisms of the contemporary world and human destiny.