罗兰·巴尔特是20世纪法国一位重要的文学批评理论家,由于他在很多领域都有过探索,加上他复杂的思想,因而,深入全面地理解他的思想是非常困难的。文章从他的“零度写作”理论入手阐述他的辩证美学思想。认为:他一方面要通过“零度写作”抛弃萨特式的那类政治、神话、革命、阶级性的写作误区;另一方面,他在强调“零度写作”的同时,又对加缪所进行的对这种写作的实验不无忧虑。因此,“零度写作”不如说是美学的、形式的、个人观念的;不如说是小说的、想像的、对写作的一种乌托邦式的理想期待。 Roland Barthes, an important theory of literary criticism in France in the 20th century, is very difficult to understand in depth and comprehensively because of his exploration in many fields and his complicated thoughts. From the theory of “zero writing”, the article elaborates his dialectical aesthetics. He believes that on the one hand, he should abandon the erroneous writing style of politics, mythology, revolution and class by means of “zero writing” on the one hand; on the other hand, he emphasizes “zero writing” and at the same time, Experiments on this writing are not without worries. Therefore, “zero degree writing” is not as beautiful as aesthetics, formality, and personal conception; it is rather a fictional, imagined and utopian ideal expectation of writing.