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清代道人张谦编选的道人诗歌集《道家诗纪》,卷帙有佚失,首尾无序跋,但从稿本的状态、入选与不选诗作、作者小传等资料可以分析出编选者的选诗准则和诗学追求。《道家诗纪》一方面为诗作者大体上规定“道士”这样的身份条件,一方面亦坚持诗歌的正统体式,最终挑选出来的,是混合了世俗伦理、道家美学、道家解脱追求等多种标准的成稿。编选者重视情与理之间的平衡,强调诗歌的韵旨,继承传统诗论的话语和趣味。清代道教金丹大道的修炼强化了诗作者内向性的一面。诗纪中杂录的《小瀛洲仙馆诗话》支撑了《道家诗纪》的诗学立场。江、浙道人集结诗社的活动是《道家诗纪》清代卷得以成稿、诗论倾向得以笃守的外部因素。
The Qing Dynasty Taoist anthology of Taoist poem “Taoist Poetry”, Volume 帙 lost, chaotic postscript, but from the manuscript status, selected and not selected poems, biography and other information can be compiled by the poet’s poem Criteria and Poetic Pursuit. On the one hand, Taoist poetry poem writers generally stipulate the conditions of identity such as Taoist. On the one hand, they also adhere to the orthodox style of poetry. The final selection is a combination of secular ethics, Taoist aesthetics, the pursuit of Taoist liberation, etc. A variety of standard draft. The editors value the balance between love and reason, emphasize the rhyme of poetry, and inherit the discourse and interest of traditional poetics. The practice of the Taoist Jindainao in the Qing Dynasty strengthened the introverted side of the poet. The poem “Little Yingzhou cemetery poem” in the poem Ji Zhongzhong supports the poetic standpoint of Taoist Poetry. The activity of Jiang and Zhesi poetic poets is the external factor that the poetic theory of poetics can be absorbed in the book of Taoism in the Qing Dynasty.