科雷乔的成长和作为艺术家崭露头角的年代是意大利文化史上的剧烈动荡的年代。这是好斗的教皇朱利叶斯二世的统治时期,稍后又是莱奥十世的梅迪奇宫廷的人文主义盛期。在罗马,拉斐尔和米开朗基罗肩并肩地收获着一整个世纪人物画实验的成果,建立起了至善至美的标准,这些标准后来成为无可争辩的楷模,几乎沿用到我们这个世纪里来了。在规模宏大的圣彼得大教堂的建筑工地上,艺术家们以前所未有的巨大规模从事着艺术实验,其 Correggio’s growth and emergence as an artist is a period of intense turbulence in Italian cultural history. This was the period of reign of the aggressive Pope Julius II and later the humanistic peak of the Medici court in Leo X. In Rome, Rafael and Michelangelo side by side, harvesting the fruits of a century of portraits and experiments, establishing flawless standards, which later became indisputable examples of models that almost followed our century It’s coming. On the site of the impressive St. Peter’s Basilica, artists engaged in art experiments on an unprecedented scale.