黄宾虹先生是一代山水画大师,也是一位学者型的艺术家,他在书画理论和创作方面都取得了杰出的成就,做出了突出的贡献。“黑、密、厚、重”的笔墨中,蕴涵着中华民族自强不息、厚德载物的伟大精神。特别是他在绘画中的“内美”主张和以此为追求的笔墨实践,为中国画坛和后学者带来了巨大而深远的影响。本文试以首都博物馆藏《巴蜀胜游图》为例,探析黄宾虹绘画对“内美”的艺术追求以及后学们对他画学理论的继承和发展。 Mr. Huang Binhong is a great master of landscape painting and a scholarly artist. He has made outstanding achievements in the theory and creation of painting and calligraphy and made outstanding contributions. “Black, dense, thick, heavy ” of the pen and ink, contains the great spirit of the Chinese nation’s self-improvement and virtue. In particular, his advocacy of “Nai Mei” in his paintings and the practice pursued in this regard have brought tremendous and far-reaching impact on Chinese painting and post-scholars. This paper attempts to take the capital museum collection “Ba Shu Shengtu Tu” as an example to explore Huang Binhong ’s artistic pursuit of “Nei Mei ” and later scholars inherit and develop his theory of painting.