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本文以画面的运用及其引起的道德张力为切入点,探讨了华盛顿·欧文名作《瑞普·凡·温克尔》与荷兰风俗画的 亲缘性,说明了前者无论在艺术形式上还是在潜在的道德价值上都是后者的“隐性的阐释”。
Based on the use of the screen and the moral tensions it causes, this essay explores the affinity of the Washington Irving masterpiece Rip Van Winkle with the Dutch genre paintings. It shows that the former, both in artistic form and potential Moral value is the latter’s “implicit interpretation.”