在针对人与自然之间的关系进行书写时,有两条不同的途径,第一条是以描述人与自然抗争的灾难文学叙事,一条是以展现人与自然和解意愿的生态文学叙事。本应是站在不同叙事立场所进行书写的两条并行不悖的叙事道路,在中国当代文学书写中却出现了后者取代前者的趋势。中国当代文学对自然灾难进行的书写是存在滞后性的。针对民国时期至建国初期,中国大地自然灾难频发的情况,当代文学对其进行真正意义的灾难书写,却是在“文革”结束后才逐步开始 There are two different ways to write about the relationship between man and nature. The first is narrative of disaster literature that describes the struggle between man and nature, and the other is an ecological literary narration that shows the will of reconciliation between man and nature. This should be a parallel narrative path that goes hand in hand with writing in different narrative positions. However, in the writing of Chinese contemporary literature, the latter tends to replace the former. Chinese contemporary literature is lagging behind in the writing of natural disasters. In response to the frequent occurrence of natural disasters in China during the period from the Republic of China to the founding of the People’s Republic of China and the real calamity written by contemporary literature, it started gradually after the “Cultural Revolution” ended