罗斯科的大色域抽象绘画作品脱离了对物质世界的描绘,脱离了与日常视觉经验的一切联想,他创造了一个瓦解人们习以为常的自我限制而进入到精神世界。“只要一个画家画得好,他画什么都无关紧要。好作品是纯粹的,它与任何东西都无关。”罗斯科的目标是走出绘画,全身心地投入灵魂深处。他拒绝谈论技术,愤怒地否认自己是一个色彩画家,并极力地使观众看到潜藏在画布下面的悲剧。他的作品绝不仅是单纯形式上的排列,更是一种对人类基本情感的人文关怀。 Roscoe’s large-scale gamut abstract painting detached from the portrayal of the material world and from all associations with daily visual experience, created a disintegration of the self-contained limits of human beings into the spiritual world. “It does not matter what an artist draws as long as an artist paints well, and a good work is pure, it has nothing to do with anything.” "Roscoe’s goal is to get out of the painting and devote himself fully into the depths of the soul. He refused to talk about technology, angrily denied being a color painter, and tried hard to get the audience to see the tragedy underlying the canvas. His work is by no means a mere permutation of forms, but it is also a humane concern for the basic human emotions.