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本书是1980年底在西雅图举行的一次会议的论文汇编。在那次会议以后又发生了不少与本书探讨的领域密切有关的情况,尤其是在波兰。主编戴维·保罗似乎想弥补这一缺陷,所以在写序言时分成两部分:以评述1980年会议情况为主体,但在序言开头时用了六页篇幅概括会议以后的新情况。然而,这种弥补方式未免不伦不类。关于《铁人》和《靡非斯特》这两部东欧新影片在国际上取得的不同凡响的成就,仅仅给予几句赞誉之词当然是不够的,尤其是波兰导演安杰伊·瓦依达执导的《铁人》(1981年),许
This is a compilation of dissertations of a conference held in Seattle in late 1980. Much has happened since then in this area, especially in Poland. Editor-in-chief David Paul seems to be trying to remedy the flaw, so he wrote the preface in two parts: commenting on the 1980 meeting, but using the six-page summary at the beginning of the preamble. However, this method of remedy is neither fish nor fowl. Of course, it is not enough to give only a few words of praise about the remarkable international achievements made by the new Eastern European films “Iron Man” and “Melodic”. In particular, the Polish director 安杰伊瓦伊达Directed by “Iron Man” (1981), Xu