什么才是好创意?这个问题对传统工艺而言,回答起来似乎太过困难。作为文房四宝之一的砚台,是否只能固守亭台楼阁、花鸟鱼虫的古典?可否容得下一个奥特曼?一方横空出世的奥特曼端砚,开启的不仅仅是砚雕题材创新的争论,更引申出传统工艺美术在新时代的价值所在——工美创新,吃螃蟹的人究竟该不该? What is a good idea? This question seems to be too difficult for the traditional craft to answer. As one of the four treasures of the Yantai, can only cling to the pavilions, flowers, birds, fish and insects of the classical? Can accommodate the next Altman? One side turned out Ottoman Duan Yan, opened not only the theme of innovation inkstone Controversy, but also extended the value of traditional arts and crafts in the new era where - US innovation, eating crab people should not?