笔者认为,在盆景制作和鉴赏标准中引进自然美、画境美、意境美的概念是符合美学原理的。由于盆景制作还特别依赖于表现技术,因此技术美也应是一个重要的方面。至于意境美,笔者认为它是一切艺术美的灵魂,也理所当然地应是盆景艺术美的灵魂。盆景艺术美如果离开了意境,就必须摘下“艺术”两字的桂冠,而不如干脆叫盆栽实在。事实上,《中国花卉盆景》刊登的盆景彩照中就有一部分作品尚只能划为盆栽的范围,因为它们在读者感受其美的时候,很难激发联想,更不用说在心灵上产生共鸣了。除了技术上的原因未能使作品达到盆景应有的形式美以外,最根本的原因还在于这些作品没有能运用盆景的 The author believes that the introduction of natural beauty in the production and appreciation of bonsai, the United States, the concept of artistic conception is in line with aesthetic principles. Since bonsai production also depends particularly on performance techniques, technical beauty should also be an important aspect. As for the beauty of the artistic conception, the author thinks it is the soul of all artistic beauty and should of course be the soul of artistic beauty of bonsai. If you leave the artistic conception of bonsai art beauty, you must take off the title of “art”, instead of simply calling potted plants. In fact, some of the bonsai pictures published in China Flower Bonsai can only be classified as potted plants, because they hardly stimulate the association when the reader feels beauty, not to mention the spiritual resonance. Apart from technical reasons failed to make the work to the proper form of beauty outside the bonsai, the most fundamental reason is that these works did not use the bonsai