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本文以绘画的“色彩”语言为中心概念,论述了从古典大师时代起色彩在绘画中的作用,到印象派对色彩的观念转变,再到印象派后期的色彩观念的又一次飞越性的转变。最后,发展到色彩对现代艺术家们的巨大的影响力。通过对古今中外大师的分析,及色彩画家对色彩的探索,阐释了色彩从结构的附庸地位逐渐发展,最后完全脱离结构,成为独立的绘画语言,成为艺术家张扬自我个性的重要手段。本文的独特之处是将读者的观点引向对个性化色彩语言的关注。
This paper takes painting “color ” as the central concept, elaborates the function of color in painting from the age of classical masters, the change of concept of color in impressionist school, and the further transition of color concept in late impressionism . In the end, the development of color has a huge influence on modern artists. Through the analysis of the masters at all times and in all countries and the exploration of color by the color painter, this paper explains the gradual development of the color from the vassal position of the structure. At last, it completely detaches itself from the structure and becomes an independent painting language. It becomes an important means for artists to publicize their individuality. What is unique about this article is to bring the reader’s point of view to the attention of a personalized color language.