“风雅”是一个具有鲜明儒家色彩的诗学概念,它在元代后期诗人诗歌总集的编纂中深受关注。除了弘扬诗学的正统观之外,“风雅”更能引起易代之际诗人自处时情感上的共鸣。在明初礼乐重建的背景中,以宋濂为代表的士人积极倡导诗学的雍容典雅之气,以顺应时代思潮的发展,从而使诗歌创作由山林走向台阁,开启了明初诗学的新气象。 “Elegant style ” is a poetic concept with distinctive Confucianism. It attracts much attention in the compilation of the total poet’s poem in the late Yuan Dynasty. In addition to carrying forward the orthodox view of poetics, “elegant style ” can arouse the emotional resonance of poets from generation to generation. In the background of the etiquette and rebuild in the early Ming Dynasty, the scholars, represented by Song Xun, advocated the grace and elegance of poetics in order to conform to the development of the trend of thoughts of the times, New weather.