《成为简·奥斯丁》是对小说《傲慢与偏见》的大胆改编,文本中虚构的人物形象、情节与真实的历史碎片的拼贴,一方面满足了人们的怀念经典的心理,另一方面,现实观念的巧妙渗入也消除电影观众与历史、经典之间的时空隔阂。通过文本与现实的拼贴游戏,把一个文学个体的想象纳入到电影创作的想象当中,是改编的又一种出路。 “Jane Austen” is a bold adaptation of the novel “Pride and Prejudice”. The collage between the fictional characters, the plot and the real historical fragments in the text fulfills people’s nostalgia for the classic psychology. On the other hand, Aspects, the ingenious infiltration of real concepts also eliminate the gap between the movie audience and the history, the classic space. Through texts and realistic collage games, incorporating the imagination of a literary individual into the imagination of filmmaking is yet another way to adapt.