论文部分内容阅读
持续三天的翰海2002年春拍,放出天量,两岸三地的藏家,围绕2158件拍品展开角逐,在京广中心的大宴会厅,掷下13500万元。这一成交额,是翰海开盘以来,第八次突破亿元,显示国内艺术品交易进入一个稳定的牛市。一国内收藏热的持续走高,吸引海外文物火规模“空降”内地。翰海春拍的2158件拍品中,海外叫流的艺术品超过了50%。从现场观察看,买家对回流文物追捧尤剧,约70%的回流艺术品成交,成交额超过4000万元。与以往相同,频频出手的国内藏家,仍未能有效地狙击海外买家的竞买,尤其高价位的明清官窑,大多失守,自海
The three-day stretch of the history of the Hanhai spring in 2002 gave up the amount of windfall. Collectors from three places on both sides of the strait started their competition around 2158 lots, throwing 135 million yuan at the Grand Ballroom of the Beijing-Guangzhou Center. This turnover is the eighth breakthrough in the history of the Hanhai Sea since the opening of 100 million yuan, indicating that the domestic art trade has entered a stable bull market. A domestic collection of heat continues to rise, to attract overseas heritage fire scale “airborne” the Mainland. Of the 2158 lots auctioned by Johnny Ho, 50% were overseas artefacts. From the site observation, buyers sought after the return of cultural relics especially drama, about 70% of the return of works of art turnover, turnover of more than 40 million yuan. As usual, the domestic collectors who frequently shot their hands still failed to effectively snatch overseas buyers from bidding. In particular, the high-priced Ming and Qing dynasties mostly fell behind and never stopped