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马是杨刚画作中最为重要的意象之一.首先表现在杨刚与马相关的作品数量非常大.二是杨刚论画时喜欢以马为喻。2005年中央美院举行了“春华秋实——中央美术学院1978级研究生成果汇展”.杨刚所提供的十六幅作品之中.八幅与马相关。在他为该展提供的照片中.杨刚站在所画的墨马之前.泰然自若。2006年杨刚在《灿烂之极复归平淡》的访谈之中.论及画家与宣纸关系时.设一奇喻:“画家和宣纸的关系.如同骑马.下马后必须把马‘伺候’好.一个骑手要懂马、爱马才是好骑手。”一个意象在艺术家作品中反复出
Ma is one of the most important images in Yang Gang’s paintings, first of all, Yang Gang shows a very large number of works related to the horse and the second one is that Yang Gang likes to use horses as a metaphor for painting. In 2005, the Central Academy of Fine Arts held “Chunhua Qiusushi - 1978 Central Academy of Fine Arts Graduates Achievements Exhibition.” Among the sixteen works provided by Yang Gang, eight were related to horses. In the picture he provided for the exhibition, Yang Gang stood before the painted Moma. In 2006, Yang Gang was among the interviewees in “Brilliant Rejuvenation.” When discussing the relationship between painter and Xuan Paper, he set a novel: “The relationship between painter and Xuan paper is the same as riding a horse. A rider must know a horse and a horse is a good rider. ”" One image repeated in the artist’s work