陶冷月作为个案研究对象,有着自己丰富的艺术探索履历。对陶冷月早期的西画实践与思考进行分析,将对后来为世人所知的“新中国画”之路有更深的了解。本文分别从早期绘画生平记述、对西画的实践探索、从西画实践到“新中国”思考三个部分进行分析,进而论证陶冷月的中西融合之路有其前提所在,并不是无本之源的尝试性角色。当然,从某种程度上,这些早期的艺术实践也是构建陶冷月个案研究的基准点。 Tao cold month as a case study object, has its own rich artistic exploration experience. An analysis of the practice and thinking of the early Western painting by Tao Lengjiu will give a deeper understanding of the “new Chinese painting” road known to the world later. This article analyzes the early painting life, the practical exploration of western painting, the western painting practice and the analysis of “New China ”, and then concludes that there is a prerequisite for the integration of Tao and Leng in Chinese and Western cultures, The source of the tentative role. Of course, to a certain extent, these early artistic practices were also the benchmark for the construction of the case study.