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12世纪一位修道院院长、现知最早的德国女性作曲家希德嘉·冯·宾根,在音乐创作中既保留了格里高利圣咏的形式,又注入了新鲜的血液。其在宗教音乐和世俗音乐的结合方面做了最初的尝试。在复调音乐兴盛的时代,希德嘉仍以创作单声音乐为主,诗意浓厚,情感细腻,开创了不同于格里高利圣咏的另一类神圣的空间,突破了格里高利圣咏感表现的一元性,奏响了神权向人权转化的前奏曲,人文主义也在她的创作中可窥见一斑。
In the 12th century, a monastery’s dean, now known as the first German female composer, Sidgard von Bingen, kept the Gregorian chant in his music and infused fresh blood. Its first attempt at combining religious music with secular music. In the flourishing times of polyphony music, Siddhartha is still mainly composed of monosyllabic music with poetic sentiments and delicate feelings, which created another sacred space different from the Gregorian chant and broke through the Gregory chant The unity of feeling manifests itself as a prelude to the conversion of divine right to human rights. Humanism can also be glimpsed in her creations.