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在左翼文学内部,乡村叙事一直是一个热门话题。早在大革命时期,毛泽东就指出,失去土地的农民“很能勇敢奋斗,但有破坏性,如引导得当,可以变成一种革命力量”~([1](P3)),“没有贫农,便没有革命。若否认他们,便是否认革命。若打击他们,便是打击革命”~([2](P21)),毛泽东认为农民是中国革命的基本力量。1943年,赵树理发表成名作《小二黑结婚》而蜚声解放区文坛,其作品通俗化、大众化的追求与毛泽东《延安文艺座谈会上的讲话》恰相吻合,以至于产生“赵树理方向”的口号。尽管后来这个所谓‘赵树理方向“并没有真正树立起来,赵本人也不断受到来自左翼文艺界内部的排斥,但描写农民和农村生活,却一直是新中国文学的主流。
In left-wing literature, rural narrative has always been a hot topic. As early as during the Great Revolution, Mao Zedong pointed out that peasants who lose their land ”can work bravely but destructively and can lead to a revolutionary force if properly guided.“ [1] (P3) If there is no poverty-stricken peasant, there will be no revolution. If we deny them, we will deny the revolution. If they are to be cracked down, they will strike a revolution. ”[2] (P21) Mao Zedong considered the peasants the basic force of the Chinese revolution. In 1943, Zhao Shuli published his famous masterpiece “Xiao Er Hei Married” and became famous in the literary circles of the liberated areas. His pursuit of popularization and popularization coincided with Mao Zedong’s speech at the Yan’an Forum on Literature and Art so much so that “Zhao Shuli’s direction” Slogan Although later the so-called Zhao Shuli direction did not really stand up, Zhao himself continued to be excluded from the interior of the left-wing literary and art circles. However, describing peasant and rural life has always been the mainstream of new Chinese literature.