话剧,作为一种西方戏剧形式,在19世纪末由西方侨民传入我国,20年代新的戏剧团体和刊物如雨后春笋般出现,标志着我国话剧建设与实践进入了新的阶段,而田汉就是我国现代话剧的奠基者之一[1]。一方面,他以丰沛的创作活力创作了二十多部话剧作品,是我国现代话剧文学的开创者和先行者。另一方面,他作为新文化运动与话剧运动的号召者和参与者,为当时处于内忧外患的中华民族注入了新鲜的血液,增添了新的活力。 Drama, as a form of western drama, was introduced into our country by western diasporas in the late 19th century. New drama groups and publications in the 1920s mushroomed, indicating that the construction and practice of drama in our country have entered a new stage. One of the founders of drama [1]. On the one hand, he created more than 20 drama works with abundant creative vitality, which is the pioneer and forerunner of modern drama literature in our country. On the other hand, as a newcomer and participant of the New Culture Movement and the drama movement, he infused fresh blood and added new vitality to the Chinese nation, which was at that time internally and externally.