在传统文化认识中,一般人们会对“自然观”冠以道家的独有思想,但作为千百年来文化的发展交融,中国哲学中的自然观不仅仅存在于老庄之说,尤其是在魏晋之时表现突出,这一时期的“自然观”在儒释道三者精英思想的圆融下形成更为合理的自然观,使得当时以及后世在音乐思想上发展得以深刻的理论依据。 In the traditional culture, people generally regard “Tao of Nature” as the unique Taoist ideology. However, as the development of culture has been blending for centuries, the concept of nature in Chinese philosophy is not only found in Lao-Zhuang’s theory, Especially during the Wei and Jin Dynasties. The “natural view” of this period formed a more reasonable view of nature under the perfect fusion of Confucianism, Buddhism and Taoism, which made the development of musical thought deeply and profoundly Theoretical basis.