根据电影现象学的观点,影像比任何艺术形式都更具有实证主义,影像是与原型分毫不爽,与生活实际浑然一体的。然而,通过“现象世界”揭示“生活世界”才是它存在的真正意义。现象学理论对于电影欣赏和批评主要有三种方法,即本质直观法、现象描述法和先验还原法。本文以梅尔·吉布森和他的电影为例,分析其电影及导演风格。 According to the phenomenology of film phenomenology, the image is more positivist than any art form, and the image is the unhappy with the prototype and the reality of life. However, revealing “life world ” through “phenomenal world ” is the true meaning of its existence. There are mainly three methods of phenomenological theory for film appreciation and criticism, namely the method of intrinsic intuition, the phenomenon description and the method of prior reduction. This article uses Mel Gibson and his films as an example to analyze the film and director style.