我给这个系列讲座起了一个题目,叫做《中国绘画的三种选择历史》。这听起来,显得稍微有点滑稽,但却是有意提出一个严肃(虽然不那么新)的观点:艺术史的写作可以用各种不同的方法或模式,而且都是正当的;据此,我们选择艺术的各个方面及其各种情况作为集中研究的焦点。以风格史的模 I gave a series of lectures on a topic called “three choices of Chinese painting history.” This may sound a bit funny, but it is intended to come up with a serious (albeit not so new) one: The writing of art history can take a variety of different approaches or modalities, and all are legitimate; accordingly, we choose Various aspects of art and its various situations serve as the focus of concentrated research. The style of history