莎士比亚的戏剧作品中广泛运用了二元对立的结构模式,而喜剧作品《仲夏夜之梦》是其中最具有代表性的。而本文将在原型批评的视角下,运用荣格和弗莱的原型批评理论和程抱一的第三元思想,通过对《仲夏夜之梦》中的空间、人物、意识的二元对立结构进行分析,来深入研究《仲夏夜之梦》中的二元对立结构的深层意义。 Shakespeare’s dramatic works are widely used in the structure of binary opposition, while the comedy “A Midsummer Night’s Dream” is one of the most representative. This article, from the perspective of prototype criticism, uses Jung’s and Frye’s prototype theory of criticism and Cheng Baoyi’s third-element ideology to analyze the binary opposition between space, characters and consciousness in A Midsummer Night’s Dream Analysis, to in-depth study of the profound meaning of the binary opposition structure in A Midsummer Night’s Dream.