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“美”和“善”作为中国传统艺术之结构性两级,在礼备乐和的表象之后,二者相互钳制、异化,频繁地在中心和边缘性存在的张力关系中交替更迭,构成了中国传统艺术发展的基本动力。伦理之维在“善”的实用关系中思考艺术之工具性存在,审美之维在“美”的形式独立中思考艺术之自在性存在,二者在中国传统艺术的巡礼旅程中不可或缺。
As the structural two levels of traditional Chinese art, after the appearance of pleasures and harmony, the two are mutually restrained and alienated and frequently alternate in the tension between the center and the margins The changes have formed the basic motive force for the development of traditional Chinese arts. The dimension of ethics considers the instrumental existence of art in the practical relation of “goodness”. The dimension of aesthetics reflects on the existence of the freedom of art in the form independence of “beauty ”, both in the journey of Chinese traditional art Indispensable