在中专的美术教学中,风景写生是练习绘画技法的重要手段以及收集创作素材的主要方式。而中专的风景写生教学,在教学理念上基本都是研习了西方印象派绘画的表现自然色彩的理论和训练方法,比较强调光源色与环境色对物体固有色的影响。在基础教学中,主要偏重于造型、透视、色彩与笔触等技术层面的传授。通过教学,我逐渐认识到,完全按照传统写生训练的模式进行教学,往往会导致学生想象力缺失,画面单调,没有中心而平淡。而放任自流,对于学生们来说,会导致一些学生乱涂乱画,有些根本不知道如何下笔,从何画起。结合上述情况,谈几点我的体会。 In technical secondary school teaching, landscape painting is an important means of practicing painting techniques and the main means of collecting creative material. The secondary school landscape painting teaching, teaching philosophy are basically studied the Western impressionist painting performance of the natural color theory and training methods, more emphasis on light source color and the environment color of the inherent color of the object. In basic teaching, the main emphasis on modeling, perspective, color and brushwork and other technical aspects of teaching. Through teaching, I came to realize that teaching in full accordance with the traditional style of sketch training often leads to a lack of imagination, a monotonous picture, and a lack of center. And letting go, for students, will lead some students doodle, some do not know how to write, where to draw. Combined with the above situation, talk about my experience.