卡勒的《抒情诗理论》以古希腊的爱情诗开局,以美国的现代自由体诗收篇,分析了西方抒情诗的诸多名篇名作。在具体作品阐释的基础上,他系统梳理了相关批评文献,结合黑格尔的美学、奥斯汀的话语行为理论、阿多诺的辩证美学,从体裁特征、内在品质、反摹仿性、公共话语模式四个方面,阐明了抒情诗独有的颂扬、夸张、表演、节奏、呼语、戏剧性、非进行现在时等修辞特色。他的《结构主义诗学》超越了文学批评中的唯阐释论,而《抒情诗理论》以间接言说、反摹仿、仪式化等批评理念,建构了一套结构主义的抒情诗学,突破了自亚里士多德以来的唯摹仿论。 Karl’s “Theory of Lyric Poems” started with the love poems of ancient Greece and analyzed the famous masterpieces of western lyric poetry with the collection of modern liberal poetry in the United States. Based on the concrete works, he systematically sorted out relevant critical documents, combined with Hegel’s aesthetics, Austin’s theory of discourse and Adorno’s dialectical aesthetics. From the aspects of genre characteristics, intrinsic quality, anti-imitation, public discourse The fourth part expounds the rhetorical features of lyric poems such as extolling, exaggeration, performance, rhythm, utterance, dramatic, non-present time. His “Structuralist Poetics” transcends the only interpretation in literary criticism, whereas “The Lyric Poetry” constructs a set of structuralistic lyrical poetics through the criticisms of indirect speech, imitation and ritualization, breaking through the The Tracing and Argument Since Aristotle