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在研究传统纹样的图形来源时,会涉及到纹样的文化内涵,以及纹样在视觉上传递的民族、历史、文化、风俗、寓意等多方面因素,但研究往往局限于对纹样本身的认识,而极少关注其形式的空间变幻。另外,多角度欣赏的概念比较缺乏,纹样研究多局限于二维思维概念的固有模式。文章从设计的角度出发,分析传统纹样在计算机数字化介入下的创新,探讨数字化纹样的设计特质与规律性,以期引导设计思维的拓展。
When studying the source of the pattern of the traditional patterns, it involves the cultural connotation of the patterns and the ethnic, historical, cultural, customs and moral meanings of the patterns conveyed visually, but the research tends to be limited to the understanding of the patterns themselves Little attention is paid to the spatial changes in its form. In addition, the concept of multi-angle appreciation is relatively scarce, and the study of pattern is mostly limited to the inherent mode of two-dimensional thinking concept. From the perspective of design, the article analyzes the innovation of traditional patterns under the intervention of computer digitization and explores the design characteristics and regularity of digital patterns in order to guide the development of design thinking.