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本文梳理了学界有关撒马尔罕阿夫拉西阿卜23号遗址房间内唐代粟特国王拂呼缦的大使厅北壁壁画的相关学术研究成果,进而通过典籍文献与考古图像辨析壁画内容,提出壁画所绘唐王朝帝后及其构图表现形式的意义所在。
This paper reviews the relevant academic achievements of the academic community on the northern wall murals of the Ambassador’s Hall in the room of the Aberasim 23 site of the Samarkand in the room, and then analyzes the contents of the murals through the books and archeological images and proposes murals Tang dynasty empire painted and its composition form of significance lies.