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柳琴戏起源于临沂市的兰山、郯城、苍山一带,主要流传分布在苏、鲁、豫、皖四省接壤地区,是山东省有较大影响的地方戏曲。以1953年正式得名为分界,分为“拉魂腔”与“柳琴戏”两个大的发展阶段。柳琴戏的现实处境是受众急剧萎缩、人才队伍后继乏人、政府投入不足与自身造血功能不强、打造舞台精品与实际演出脱节。实施柳琴戏的振兴需要注意四个方面:一是探索政府为主导的运作模式;二是打造品牌,走文化产业之路;三是推陈出新,赢得受众广泛参与;四是培养新人,拓展发展空间。下文就针对如何传承和发扬山东柳琴戏文化做了几点方法策略分析。
Liuqin opera originated in Linyi City, Lanshan, Tancheng, Cangshan area, mainly distributed in the Soviet Union, Shandong, Henan and Anhui provinces bordering the region, Shandong Province has a greater influence local opera. In 1953 officially named as the boundary, divided into “La soul chamber ” and “Liuqin opera ” two big stages of development. The actual situation of Liuqin opera is the sharp decline of the audience, lack of succession of qualified personnel, lack of government investment and its own hematopoietic function is not strong, to create the stage boutique and the actual performance out of line. The implementation of the revitalization of Liuqin Opera need to pay attention to four aspects: First, to explore the government-led mode of operation; second is to create a brand, take the road to the cultural industry; third innovation, to win the audience a wide range of participation; Fourth, training new people and expanding space for development. The following article on how to inherit and carry forward Shandong Liuqin opera culture done a few tactical strategy analysis.