在“扬州八怪”中名声最响的郑板桥,一生擅绘兰竹菊,尤其以画竹名世,在中国美术史上作墨一染,地位超然。同时郑板桥的书法也颇具造诣,世称“六分半书”。时过境迁,板桥存世真迹而今无不皆为画中瑰宝,多被国家各级博物馆收藏,被视为珍藏。即便偶在拍场一露真身,也必然引得一次场面宏大的争夺,稀贵与否,可见一斑。郑板桥传世画作多以兰竹菊图题材居多,然兰竹菊三者同绘于一幅画面是为少见,而在仅存的“麟角”里,却有着两幅构图、内容、款识等几乎完全一样的“国家馆藏”——故宫博物院藏《兰竹菊图》、济南博物馆藏《墨竹图》,从笔墨字迹来看,两幅作品非出一人之手,同为真迹的可能性微乎其微,但问题在于:究竟哪一幅才是板桥真迹呢? In the “Yangzhou Bazai ” the most famous Zheng Banqiao, his life crafted Lanchu Ju, especially in the world of painting and calligraphy, in the history of Chinese art as a dye, status detached. At the same time Zheng Banqiao calligraphy is quite accomplished, the world said “six minutes and a half ”. The passage of time, Itabashi ephemeral authentic and now all of these paintings are treasures, many national museums at all levels, is considered a collection. Even if I was in the field of a real exposure, but also inevitably lead to a scene of grand competition, rare or not, can be seen. Most of the paintings of Zheng Banqiao are mostly made of blue-and-white bamboo motifs, while the blue-and-yellow chrysanthemums are rarely seen in one picture. However, there are two compositions, contents, Almost exactly the same “National Collection ” - National Palace Museum possession of “blue bamboo chrysanthemum figure”, Jinan Museum collection “ink bamboo”, from the handwriting point of view, the two works of non-one hand, with the same authentic The possibility is minimal, but the question is: which one is really Banqiao it?