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20 0 3年 5月 ,央视一套进行了强力改版 ,配合此次改版 ,整合原《纪录片》栏目、新影和科影制作中心纪录片创作力量 ,新推出纪录片栏目《见证》。该栏目由 3个板块构成 ,分别是 :《纪录者》、《亲历》和《发现之旅》。中国纪录片的生存与发展一直是学术界普遍关心的问题 ,而其中的栏目化现象也始终受到业界的关注。就此本刊特地专访了《见证·纪录者》制片人陈晓卿 ,并约请该栏目主编肖同庆撰文 ,试图通过对一个栏目的解剖 ,共同探讨纪录片的栏目化生存问题
In May 2003, CCTV set a strong revision, with the revision, the integration of the original “documentary” section, the new film and film production center documentary creative power, the new documentary column “witness.” The section consists of three sections, namely: “record”, “personal experience” and “discovery journey.” The survival and development of documentary in China has always been a common concern in academia, and part of the phenomenon has always been the industry’s attention. This article specifically interviewed the “witness record” producer Chen Xiaoqing, and invited the section editor Xiao Tongqing article, trying to pass a section of the anatomy to discuss the column of the documentary survival issues