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独弦琴作为跨境民族越(京)族乐器,在中国与越南具有共时跨境的特点,由于文化心理意识和地缘关系为基础的长期联系和往来,独弦琴文化在促进跨边界文化交往过程中充当着“天然桥梁”和“人文通道”的作用。但因京族属于失衡型主体跨境民族类型,因而主体民族(越族)与少数民族(中国的京族)的独弦琴文化显现出整体的共同性和部分的差异性特点,即“和而不同”的现象。本文从乐器本体、演奏技法、音乐风格、传承体系几个方面对此进行论述。
As a cross-ethnic ethnic Vietnamese instrument, it has the characteristics of simultaneous cross-border between China and Vietnam. Because of the long-term relationship and contacts based on cultural and psychological awareness and geopolitics, the single-stringed instrument promotes cross-border culture In the process of communication, it acts as a “natural bridge” and a “human channel.” However, since the Jing nationality belongs to the transnational nationality type of unbalanced subjects, the uniqueness and uniqueness of the monochromatic piano culture of the main ethnic groups (ethnic minorities) and ethnic minorities (Chinese Jing ethnic groups) Different "phenomenon. This article discusses this from the aspects of musical instrument body, playing technique, musical style and inheritance system.