论文部分内容阅读
克利斯兴·约克和伊夫斯·阿力格莱最近摄制的两部影片,在法国电影史上无疑是划时代的作品。我国在刚解放时和解放以后虽曾摄制过一些杰出的影片,但也有许多导演其中甚至包括一些本来具有真正才能的导演,放弃了具有现实意义与人民性的题材,去导演一些颇成问题的影片。但自从“中坚力量”和“四海之内皆兄弟”这两部影片出现以后,法国电影界却呈现了一种新的趋向,或者至少是证实了将有一种新的趋向,而使我们对法国电影的前途可以寄予莫大的希望。
The two films recently produced by Christensen York and Yves Allegre are undoubtedly epoch-making works in the history of French cinema. Although some outstanding films have been produced in our country just after the liberation and after the liberation, many directors, including some directors who originally had the real talent, have given up the themes of practical significance and people’s interest to direct some rather problematic issues film. However, since the advent of the two films “Lean Forces” and “Brothers Within Four Seas”, the French film industry has shown a new trend or at least confirmed that there will be a new trend that will make us farewell to France The future of the film can be great hope.