逐年增多的全国性美术展览,使美术作品进入展厅,并演绎成今天的展厅文化和展厅效应,其对推动当代美术事业的发展,繁荣人们日益增长对美的需求意义重大。但在繁荣的同时也看到有不少问题,值得我们探讨。有人说当代中国画品评标准存在严重缺失,我想不是缺失而是呈现出多元与新变。当参加展览成为唯一衡量一个画家创作水平高低,并以此来判定社会身份、市场、地位的时候,展览就演变成了一个充满利益与权利之争的角斗场。现今,商品经济高度发达导致欣赏者的审 The increasing number of national art exhibitions have brought the fine arts into the exhibition hall and deduced into the hall culture and exhibition hall effect of today. It is of great significance to promoting the development of contemporary fine arts and boosting the growing demand for beauty. However, we also see many problems while we are prosperous, which deserves our discussion. Some people say that there is a serious lack of evaluation criteria for contemporary Chinese paintings. I think it is not a lack but a diversity and a new change. When participating in the exhibition becomes the sole measure of a painter’s creative level, and in order to determine the social identity, market, status, the exhibition evolved into a battlefield full of interests and rights struggle. Nowadays, the highly developed commodity economy leads to the appreciation of the viewer